The Canon 50mm f/1.2L is better than comparable lenses when used in the f/1.2 to f/2.8 range and has superb bokeh. Key features include:
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Excellent for wide-aperture shots
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Requires autofocus microadjustment
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L-series build quality
Superb Bokeh. The Canon 50mm f/1.2 L has been somewhat controversial. is perhaps the most accurate. He claims that it’s better than other lenses in this range from f/1.2 to about f/2.8 and has superb bokeh.
Alternative. If you’ll be shooting stopped down past f/2.8 you may be better served by the , but for wide-aperture shots, this lens is the choice.
Well, we could talk about this for hours: this is one of the most controversial, irritating, and spectacular lenses in the lineup. I won’t pretend to know what you’ll think of it, but our customers…
Well, we could talk about this for hours: this is one of the most controversial, irritating, and spectacular lenses in the lineup. I won’t pretend to know what you’ll think of it, but our customers are evenly divided with “I love it” and “I hate it.” Here are a couple of pointers:
- If you’re not used to working with very narrow depth of field (f/1.2 close up is NARROW) this lens will take some practice. Use one autofocus point only or it will focus where it pleases, not where you want.
- The plane of focus is not flat; it’s slightly curved. Focus-recomposing will guarantee you an out of focus shot. Just don’t do it.
- The 50 f/1.2 L exhibits focus-shift for near distance shots, meaning that shooting objects a few feet away between f/2 and f/4 the lens will probably not autofocus accurately. At f/1.2 it’s accurate, and by f/5.6 the depth of field is wide enough that you won’t see the effect.
- The 50 f/1.2 L is camera specific: a copy that is wonderful on one camera may backfocus on another. It’s best used, for that reason, on cameras with focus adjustment like the or the . If you don’t use autofocus adjustment, your images are likely going to be back or front focused.
The bottom line: when this lens is right, the shots are spectacular and the background blur is awesome, just like the . But it’s more finicky and more difficult to get those shots with this lens.
March, 2013
| Angle of View |
46 degrees |
| Aperture |
f1.2-16 |
| Autofocus |
Autofocus |
| Brand |
Canon |
| Compatibility |
Crop and Full Frame |
| Diameter |
3.0″ |
| Dimensions |
Length: 2.6″ |
| Filter Size |
72.0mm (nonrotating front element) |
| Filter Style |
Nonrotating front element |
| Flare Resistance |
Minimal ghosting, mild contrast loss |
| Focal Length |
50.0-50.0 |
| Focusing System |
Front focusing, nonrotating, USM motor, full-time manual |
| Groups/Elements |
6/8 |
| Hood Included |
Yes |
| Hood Type |
ES-78 |
| Image Stabilization |
No |
| Item Type |
Lens |
| Lens Type |
Normal Range |
| Low Dispersion Elements |
0 |
| Max Aperture |
1.2 |
| Maximum Magnification |
.15x |
| Minimum Aperture |
22.0 |
| Minimum Focusing Distance |
1.5feet |
| Mount |
Canon EF |
| System |
Canon |
| Weather Resistant |
Yes |
| Weight |
1.2 lb |









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