Zeiss Compact Prime CP.2 35mm T1.5 Super Speed (E-Mount)

The Zeiss Compact Prime CP.2 35mm T1.5 Super Speed (E-Mount) is a cine-lens designed for use with DSLR cameras. Key features include:

• E mount only

• Low distortion and excellent color matching

• Geared manual iris and focus rings

• Fourteen-blade aperture diaphragm

The Zeiss CP.2 Super Speed lenses are a line of fast-aperture cinema lenses within the CP.2 family. Compared to the standard CP.2 lenses, they not only offer the ability to shoot in lower light, but also have an improved optics system that features two aspheric elements and two abnormal partial-dispersion elements. This corrects for optical aberrations, paving the way for even higher-quality imaging.

Like the rest of the line of CP.2 lenses, the CP.2 35mm has a fourteen-blade aperture ring for smooth out-of-focus highlights and tight mechanical tolerances for precision adjustments. Across the board, the low distortion and color-matched optics make it simple to incorporate any of the CP.2 lenses into your shoot without having to worry about matching issues in post.

The CP.2s are built in a durable cine-style housing with geared manual iris and focus rings, and accurate lens-calibration scales.

Zeiss’ Compact Prime CP.2 lenses combine the exceptional optics, color quality, and contrast characteristics that the Zeiss line of SLR lenses are known for, with fluid, protracted focus pulls. Gea…

Zeiss’ Compact Prime CP.2 lenses combine the exceptional optics, color quality, and contrast characteristics that the Zeiss line of SLR lenses are known for, with fluid, protracted focus pulls. Geared focus and iris rings allow the CP.2s to integrate rapidly with , and uniform 114mm barrel diameters facilitate the use of clip on matte boxes such as our . CP.2s are perfect for narrative work where precise and deliberate focus pulls are needed (such as work on a dolly or slider) and sharp, pristine images are desired.

The Super Speeds open up a stop or two more than their standard CP.2 counterparts, making them better for shooting situations with limited light, or where optimal bokeh is desired. CP.2s are perfect for narrative work where precise and deliberate focus pulls are needed (such as work on a dolly or slider) and sharp, pristine images are desired.